In the vast expanse of Malayalam cinema where family dramas spin magic with subtle emotions and relatable quirks, the Hridayapoorvam movie is a gentle reminder of director Sathyan Anthikad’s legacy. After a decade long gap, Anthikad teams up with superstar Mohanlal and delivers a film that’s equal parts comfort food and introspection. Released in August 2025, this feel good film explores the fragile intersections of loss, renewal and human connection all wrapped in everyday humor. It may not break new ground in its genre, but Hridayapoorvam wins you over with its sincerity. A perfect Onam watch for those who want to find solace in stories of second chances.
At the heart of it is Sandeep, a middle aged army colonel played with ease by Mohanlal, whose life takes a turn after a heart transplant. He is stationed in Pune due to unforeseen circumstances and finds himself drawn into the world of the donor’s family—mother Devika (a wonderful Sangita Madhavan Nair) and daughter Haritha (Malavika Mohanan is lovely in her vulnerability). What starts as an obligation born out of the donor’s last wish turns into a deep bond and Sandeep has to confront his own emotional walls and rediscover joy. Screenwriter Sonu TP, adapting Akhil Satyan’s story, brings in subtle humor—droll misunderstandings and family banter—so the emotional beats land without ever becoming melodramatic.
Mohanlal is as always the heart of the film—literally in this case. His Sandeep is a masterclass in restraint—a man hardened by routine and softened by quiet revelations. He makes us laugh with his impeccable comic timing and makes us cry with those eyes. His chemistry with Sangeeth Prathap who is excellent as Jerry injects energy into the lighter moments and reminds us of the camaraderie of Anthikad’s Kochu Kochu Swanthangal. Malavika Mohanan brings in a fresh intensity to Haritha and captures the ache of unresolved grief with a performance that’s both fiery and fragile. Sangita is superb as Devika and grounds the emotional core of the film. Her subtle expressions convey volumes about unspoken longing. Meera Jasmine and Basil Joseph have cameos and add to the sparkle of the ensemble.
Technically, Hridayapoorvam is understated. Anu Moothedath’s camera work is soft and golden on the Pune locales, just like the story unfolding from cold to warmth. Justin Prabhakaran’s music is a gentle companion—melodies that swell just enough to underscore the tenderness without overwhelming it. K. Rajagopal’s editing is breezy and the runtime is lean, no drags, though a few scenes feel slightly self contained, hinting at the vignette structure of the film. Produced by Antony Perumbavoor, the film is as per Anthikad’s style—no grandeur, just plain storytelling that feels like a conversation with an old friend.
In a year of big films, Hridayapoorvam is small but mighty—a gentle take on grief and rebirth. It’s the kind of film that stays with you, makes you think about your own “change of heart”. Not perfect, maybe, but very satisfying. If you’re in the mood for a simple, neat drama that’s fun and feels, this is a winner. Stream it on Netflix or JioCinema, pop some popcorn and remember: sometimes the best stories are the ones that feel like home.
Rating: 3.5/5